(Re)Imagining “Dystopian Space”: Memory and Trauma in Yoko Ogawa’s <em>The Memory Police</em>

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Soon Seng Foong Gheeta Chandran

Abstract

Yōko Ogawa’s The Memory Police (1994) is set in an unknown island where objects and their meanings gradually disappear from society’s collective memory. Spencer argues that “power imposes itself on society through spatial initiatives that reconfigure the entirety of social space.” As memory is suppressed in this authoritarian society, the act of retaining memories of “disappeared” objects is a form of violation of that authoritarianism, as it is seen as the individual’s resistance against the collective goals of the state. This article examines the ways in which memory and trauma play crucial roles in the lives of individuals in reclaiming their sense of space and individuality. To escape tyranny and oppressive real space, the narrator creates an imaginary space that preserves any remaining memory. As memory is associative, it functions to retrieve information related to particular objects or concepts and to connect this information with its relevant context to yield meanings. The move to preserve memory acts as a form of agency exhibited by the narrator and the novel foregrounds the various ways memory can also lead to liberation.

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How to Cite
FOONG, Soon Seng; CHANDRAN, Gheeta. (Re)Imagining “Dystopian Space”: Memory and Trauma in Yoko Ogawa’s The Memory Police. SARE: Southeast Asian Review of English, [S.l.], v. 57, n. 1, p. 100-122, july 2020. ISSN 0127-046X. Available at: <https://sare.um.edu.my/article/view/25288>. Date accessed: 20 sep. 2020. doi: https://doi.org/10.22452/sare.vol57no1.8.
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